This is just a quick note to say that I am alive, and well, and will try to return things to normal around here.
1. I passed 400,000 words written on my consecutive day writing streak
With the writing I did last night, I have now passed 400,000 words written over the span of my (so far) 430 day consecutive writing streak.
Four hundred thousand words seems like an awful lot to me. But what I find more remarkable is that I don’t have a lot of time to write each day, and yet, the streak has helped pile up the words. Over 430 days, I’ve averaged about 930 words/day. If we assume that most professional full time writers try to get in 2,000 words/day, I’m nearly halfway there.
I didn’t start automating the tracking of my writing time until August, but if you look at the RescueTime data (the green chart) over the last 2 months, you can see that on my best day, I spent only 80 minutes at the keyboard. Indeed, over the course of the last 2 months, I’ve averaged 40 minutes of writing time per day.
2. I passed 500,000 words since starting my attempt to write every day
My 430 consecutive-day writing streak is part of a larger effort to write every day, which began in late February 2013. Since then, I’ve written for 573 out of the last 575 days. Put another way, I’ve only missed 2 days in the last 575 days. In all of that time, I’ve written 511,000 words. Half a million words is a pretty big milestone. It’s like an entire Stephen King or George R. R. Martin novel!
3. This blog has had about 1 million page views so far in 2014
I’m jumping the gun slightly on this one. More than likely, the blog will actually hit 1 million tomorrow evening or Saturday, but I have a busy weekend coming up and wasn’t sure I’d have time to note it.
It’s kind of hard to believe that I’ve managed a million page views over the space of 9 months. It means I should end up with around 1.3 million by the end of the year. Things slowed down a bit in September, possibly because I haven’t had time to post as much. Still, it’s pretty amazing. I can remember back in 2011 when I was hoping to triple the page views from about 30/day to 90/day. And here I am averaging somewhere between 3,000 – 4,000/day.
Here is how the traffic has evolved since January 2011:
Anyway, those three milestones all happened (or will happen) in the last few days. Pretty cool, eh?
In addition, I’d occasionally add pictures, or artwork that my kids did. I’d scan in cards that they received for their birthdays, or that they gave us for our birthdays. I kept score at the Little Man’s very first Little League game. The league doesn’t keep score at that level of play, but I kept a scorecard so that I could show it to him when he was older. And I keep a list of books for each them, that we’ve read together, in the hope that they will continue to maintain that list as they get older1.
None of this was formally planned on my part. I just wanted to have a good record of my kids growing up, something beyond the ubiquitous photos we have today. In collecting this stuff, however, it occurs to me that I’ve created a kind of digital baby book, or a memory book, for my kids using Evernote. And so, it occurred to me that I might be able to offer tips to others who want to try to do the same. So here are a few tips for folks whom might want to try this at home.
1. A notebook for each kid
One thing that I didn’t do, that in retrospect might have made things a little cleaner, was to create a notebook for each of my kids. The notebook corresponds to what would be the physical baby book, or memory book you’d get to keep track of their early life. Instead, I used tags to identify notes that were associated with one or both of my kids, but as you’ll see in step 5, there is an added benefit to notebooks that will give the virtual baby book the feel of something more tangible.
So what do you call these notebooks? Well, anything you want, but I’d probably include my child’s name in the notebook title.
Having a separate notebook holds one further advantage. It simplifies searching when you are looking for some event or milestone in your child’s life. You can start your search by telling Evernote to look only within the notebook in question. So if my son’t notebook was called “Little Man’s Baby Book” I could start my search with:
notebook:"Little Man's Baby Book"
This would ensure that only this notebook would be searched, and my search wouldn’t be cluttered with results from all of the other notebooks that I have. I have a lot of notes that have the word “baseball” in it. Probably hundreds of them. But if I wanted to ensure I saw only those notes with the word “baseball” in my son’s baby book notebooks, I could search as follows:
notebook:"Little Man's Baby Book" baseball
and that would look only within the notebook in question for the term “baseball.”
If you had multiple children and wanted to be a little more organized about things, you could create a notebook stack called “Baby Books” or “Memory Book” (or anything else) and place the notebooks within that notebook stack.
2. Tagging milestones
Remembering to capture the milestones as they happen is important. Fortunately, Evernote makes that easy. I always have access to Evernote, be it through my iPhone, computer, or iPad. When the Little Man got his first ever base hit in Little League this past Saturday, I pulled out my phone, and added a note to Evernote. It looked like this:
When I add these type of notes to Evernote, I tag the note with the appropriate child’s name, and a tag I use called “Milestone” to indicate that the note represents some important milestone. It makes it much easier to find them.
There are all kinds of events that happen in our kids’ lives that represent important milestones. I try to be somewhat picky. I includes firsts, of course, and then I also include other types of milestones that are important to me. The best way to demonstrate is to provide some real examples, so here are some of the milestones I’ve recorded for the Little Miss:
You can see there are a wide variety of milestones. Some are just notes, noting an important event, like when the Little Miss first said, “Mama.” Others include photos or videos. Milestones can be anything, you have to decide what’s important to you to capture.
3. Photos, videos and other media
On birthdays, I take photos of the kids and those go into Evernote. It makes for a nice evolution of their growth over time. Actually, I usually include 2 version of the same photo.
The first is just the plain photo that I take. The second is a photo of the Little Man or Little Miss standing by a section of wall near the living room. I use Skitch to markup the photo showing how tall they are in that photo. This is a nice way of capturing their height and growth over time, without marking up the wall.
I’ll also occasionally capture videos in the note. When the Little Miss first began crawling, I got it on video and that was included with the note mentioning the milestone.
One thing that I capture, perhaps a little too obsessively, is all of the kids schoolwork and artwork. Each day, when this comes home, I scan the paper into Evernote. I don’t tag it as a milestone, unless it has some significance, but I do tag it with their name. If I had separate notebooks for the kids, these would probably get filed in those notebooks. Artwork gets tagged “artwork” and schoolwork gets tagged “schoolwork.” This makes for quite a collection of notes, but I think the kids will enjoy looking through it when they are older.
And yes, we do keep the originals. They get put into a plastic bin that goes into the attic. We might never look at the originals, but it is hard to toss out paper that your kids have sweated over, and into which they’ve put their creativity.
For a while, I thought I’d have to get a new phone, but then I remembered that I’d bought Apple Care+ with my iPhone last summer (2013). I checked, and from what I could tell, Apple Care+ covered a couple of incidents of accidental damage to the phone. So I booked an appointment at the Genius Bar for this morning at 10 am.
At 10 am, I arrived and was greeted by the Official Apple Store Greeter, who signed me in and asked me to wait a moment for the tech. A moment later, Tim arrived. I showed him what happened. He verified my Apple Care and then said that it would take about an hour to fix. It seemed to me that the Apple Care+ held the possibility of a $79 charge, but when he processed my order, there was no charge. He told me to come back an hour later, which I did.
I picked up my phone and it had a new display. The crack was gone! I didn’t even need to restore my data!
Tim told me that without Apple Care+, it would have cost me $129 to have the display replaced. As it turns out, it cost me nothing today. Of course, I did pay $99 for Apple Care+ when I bought the phone, but it has now more than paid for itself.
All told, it was a solid customer service experience. Quick, efficient, and entirely paperless!
As writers, we are the public face of our stories, book and articles. Credit for success accrues to us, as does criticism for faults and failures. That is fair, and as it should be. If we have the audacity to think our words might be enjoyed by others, we have to be able to handle the results, good and bad.
They say writing is a lonely business, and when the writer is sitting down pounding out words, that is mostly true. But the road from idea to publication, at least for me, is anything but lonely. Behind every story that sees publication are people besides the writer who help to make it happen. These people are often in the background, and their names rarely appear on the byline along with the author’s. But without them, I couldn’t do what I do. Who are these people? They probably vary for every writer, but for me, they include 5 groups.
I find it hard to talk about the process of writing (and the struggles therein) with my family and my non-writer friends. I think there are two reasons for this. First and foremost, I don’t want to bore my family and friends with writerly problems that probably seem esoteric to anyone but another writing. Second, unless you are a writer, it is hard to understand the struggles. My experience has been that non-writers generally fall into two groups: (a) people who think writing must be easy, and if they turned their hand to it, could churn out a best-seller between cups of coffee. And (2) people who don’t write because they find it daunting and terrifying.
Other writers, however, are a different story. While I may not always discuss the specifics of every story I write with other writers, I often will talk to them about the struggles I happen to be having. For me, my writer friends often take on the role of a hitting coach or fielding coach in baseball. Instead of helping with footwork, or batting mechanics, they help get me out of my head, and approach things from a new angle. On more than one occasion, a conversation with another writer about the mechanics of the job have helped me move a story forward. That is a big help, and often goes unacknowledged. You don’t see these writers’ names on the byline, although I do try to acknowledge them elsewhere. If it wasn’t for there help, I might have never made it through the struggle.
A small group of my writer-friends, and occasionally, my writer’s group also act as my beta-readers. The feedback I get from them on my stories is invaluable. Every story that I’ve written that has gone through beta readers has come out of the other side of the process far better because of the keen eyes looking over my work and making useful suggestions.
I’d say that 40% of my stories accepted for publication have required work with the editor to get them into shape to really make them publication worthy. This includes my first story, as well as later stories. For instance, my story, “Flipping the Switch,” which appeared in the original anthology Beyond the Sun (edited by Bryan Thomas Schmidt) last summer required quite a bit of work with Bryan to make it publication worthy. The result was a story that I think was much better than the one that I turned in
Sometimes editors suggestions are small, but make me, as the writer, look better. The first story I sold to Analog, “Take One for the Road” (June 2011) had a reference to “night owls” which then editor Stan Schmidt suggested I changed simply to “owls” as the phrase “night owls” was redundant. A small change, but an improvement.
Not long ago I had an article published at 99U called “How I Kept a 373-Day Productivity Streak Unbroken1” My editor at 99U, Sean Blanda made a key suggestion–generalizing some of the points in the article and calling them out explicitly–which vastly improved the article. Indeed, that article became the most-shared article I’ve ever written with something like 5,000 shares on social media. The feedback I received for it was overwhelmingly positive. And I credit that all to Sean’s suggestion.
And let’s not forget the copyeditors who catch the small typos, spelling errors, and who find inconsistencies in usage in the manuscripts and cleans them up so that the finished product looks professional. No matter how many times I proofread, I miss things, and I’ve come to believe that there is diminishing returns to this. But the copyeditors make sure that I look good, despite myself.
I have been fortunate to have artists render scenes from three of my stories. I am always blown away by the results. Artists are acknowledged for their work, but I still think they become part of the team that make the story better. They provide a unique window into the story that my words alone can’t do. For that, I am grateful to each artist who has taken more words and turned them into something amazing.
Readers see the results of the work of many people: the writer, the editor, the artist being the three most visible. Behind the scenes there are a lot more people helping to bring the stories to life. There are editorial assistants (like Emily Hockaday at Analog and Asimovs) who walk newbie writers through the process of reviewing galleys. There are managing editors and people in contract departments who handle the business end of the process, issuing contracts and payments.
There are the production people who layout the magazine, or the book, who make it available in various online formats, who merge in the artwork, and in short, who make it look like what you see on the bookshelf, newsstand, or how it appears when you download it to your e-reader device.
Without any of these people to help out along the way, none of my stories would see the light of day. Writing might seem like a lonely business, and certainly, sitting at the keyboard and getting the words down can be lonely at times, but I tend to find I am surrounded by vast team of people all of whom are cheering along for my success, encouraging me, making me and my words look good. They all deserve credit in the process. They are the people behind the stories, and without whom there would be no stories.
As the public face of the stories, it is the writers who receive fan mail, or criticisms along the way. I think it is important to acknowledge to readers and fans that there are a lot more people behind the scenes that just the writer. The best qualities of the story are because of this team of people behind the story.
In May of the following season, Derek Jeter made his major league debut with the New York Yankees. Since then, he has gone on to become not only one of the best all around players of his generation, but in all of baseball history. And what is more remarkable: he did it while keeping his ego in check, and being a role model that kids of all ages (including the “kid” of 23 years old that I was back in 1995) could look up to, and rely on to be a good example. For twenty years, Jeter has maintained that high standard.
Yesterday, Gatorade released a new commercial featuring Derek Jeter that has gone viral. I’ve probably watched this commercial a dozen times now.
At first, it was the artistic elements that drew me to the commercial: a choice of music, a good choice of how it was shot (black and white). But there was something else, something I couldn’t quite put a finger on. People have said that watching the video gives them goosebumps. It certainly had that effect on me. But why?
The reason, I think, dawned on me earlier this evening. As I said, I started my present job not long before Jeter started his with the Yankees. That twenty years has gone by in the blink of an eye. I wonder what it must be like for someone like Derek Jeter, who worked hard as a kid to make it to the big leagues, and then lived a dream, becoming one of the best players of all time–and now, he’s retiring and that part of his life is coming to a close. This final season of his has been like the credits at the end of a movie, one that you want to end, but that you wish would go on and on forever. If the last twenty years felt like blink of the eyes to me, what must it feel like to Jeter?
The new video captures some of that, and it comes across. When he nods to the camera at the end, just before he walks out onto the field, it is like an acknowledgement that all good things must come to an end. He’s cool with that, even though it makes us shed a reminiscent tear for halcyon days.
I’ve thought it a little strange that Jeter is getting the kind of send off that he’s been getting all season, but I no longer think so. Everyone, fans, players, owners, wants to say thank you to Jeter. They are thanking him for something that he probably had no idea he was doing when he made his first major league appearance in May 1995, when baseball was reeling from the strike, and was soon to be plagued by a decade of disappointing role models, thanks to steroids and performance-enhancing drugs. Through all of that, there was one player that fans, kids, old-timers, sports writers, managers, owners, and other players could count on not only for excellence on the field, but for excellence in character. The send-off Jeter has gotten this season is a thank you from everyone.
They are thanking him for saving baseball.
Which is exactly what he has done for the last two decades.
Not a moment of it was boring, and while I’d say the book doesn’t dethrone David McCullough’s John Adams as my favorite biography, it does join it there, in equal splendor, although for different reasons.
3 volumes make up this biography:
- Visions of Glory: 1874-1932 (1984)
- Alone: 1932-1940 (1989)
- Defender of the Realm: 1940-1965 (2012)
Manchester did not survive to finish the third volume, and enlisted the help of journalist Paul Reid to complete the task.
I started reading the biography back on July 13 and finished yesterday, on September 17, so I spent a good portion of the summer immersed in British and European history, and I found it fascinating. Here are some initial thoughts.
1. The rich details of the book really did immerse me in the time period. While I probably should not have been surprised, I found that when I finished the books yesterday, I was overcome by sadness. Churchill was dead, and for two months, I had followed the course of his life in great detail from his birth, through three wars, through the Korean conflict and the beginning of the Cold War, and through his death and funeral. The book is a very hard act to follow. I wanted more, much more. Fortunately, there is plenty that Churchill himself wrote available to read, but I decided to give myself a little break. Before I jump into more Churchill, I’m distracting myself with Lee Child’s first Jack Reacher novel.
2. Two events in the book brought tears to my eyes. The first was the death of Marigold Churchill, Winston and Clementine’s daughter, who died in childhood before Mary Churchill was born. The second was not Churchill’s death, nor his moving state funeral at St. Paul’s. It was something that took place eight months later, on the twenty-fifth anniversary of the Battle of Britain:
The Dean and Chapter of Westminster Abbey, at the request of the Queen and Parliament, placed a sixty-by-seventy-six-inch polished green-marble slab in the floor of that thousand-year-old monument to English history. All who enter cannot help but see it there, in the nave, just a few feet inside the great west doors. Engraved upon it are the words:
3. Churchill lived a long life (90 years) that happened to span a period of time when the world took gigantic leaps forward in technology. He was born in the Victorian era, and indeed, first began serving in Parliament under Queen Victoria. He first crossed the Atlantic to the United States on a ship that carried a sail, just in case the engines quit, and took 10 days to make the crossing. On his final return from the United States to England at the end of his life, he flew on a Boeing 707, flying 7 miles above the ocean and taking only 6 hours or so. That seems remarkable to me.
4. Reading the biography was a stark illustration of just how little I’d known about either World War, but especially the Great War. What we learn about World War I in school is more or less how it started and how it ended. I’m not blaming the education system for the lapses. There is so much history and so little time. But to see, in continuous flow, the events leading up to the first World War, and how the settlement after the war, and the Treaty of Versailles set up conditions that would naturally lead to World War II was an education in and of itself.
5. I learned more about British politics, and the political process in England than I had ever known before. The biography is a lesson in parliamentary politics through example. In college, as a political science major, I took a couple of classes in European politics, and always enjoyed them. But I learned more practical politics from the biography than I did from all of those classes combined. Every form of democracy has its pluses and minuses, but throughout my reading, I came to appreciate the parliamentary form more than I ever had before. There is something about the odd combination of decorum and candor in the House of Commons debates that I wish took place in the House and Senate, but which I don’t imagine would ever really be possible.
In the dream, I was wandering through the underbelly of London with my friend, Winston Churchill. He was old, and somewhat frail, but was focused on his task. That task, it seemed, was evaluating the superstructure of London from beneath. We walked through broad tunnels, down into which sunlight filtered from the sides somehow, and every now and then, Churchill would stop, tap some object with his case, and say something like, “Struts for the bridge. Needs a new coat of paint, I think.”
This went on for quite some time, until we arrived at a place where stairs led up to the street level to the left and right. From one direction, a phone was ringing, and I picked it up. On the other end of the line was King George VI. “I’m very sorry to report,” he said, “that His Majesty’s Government bears the news that Winston Churchill has passed.”
I started to tell the King (uncertain how to address him) that he was mistaken, that Churchill was here with me, checking out the superstructure of the city. I turned, but Churchill was gone, and I was down there all alone. All at once, I was overcome by a feeling of despair and sadness, certain that HMG was right, that Churchill had died, and here I was all alone.
I began calling friends and family to tell them the news, and they were duly sympathetic. I remember thinking, “My friend, Winston Churchill, is gone.”
After that, the dream faded away and I woke up. The Little Man was calling me from his room, and I got out of bed to see what it was he wanted. But the dream stayed with me, and I still feel some of that sadness lingering this morning.
1. Keeping track of ideas
It will surprise no one that I keep track of ideas for my Going Paperless posts in Evernote. Typically, I’ll create a note that is nothing more than a title and then give it a tag of “blog-topic.” Sometimes, I’ll add additional details to the note about specifics I want to cover, but for the most part, the notes are just a title, with the topic. Here, for example, is the note I created for this post.
Each week, I filter through the list of ideas and pick the one I am most interested in writing about that week. On occasion, I’ll come up with a last-minute idea and write about that instead, but generally, I work from the pool of existing ideas.
2. Outlining the posts
I try to write my posts on Sunday, but I’d say I’m successful about only 50% of the time. If I don’t write the post on Sunday, then I tend to write it Monday night (25% of the time) and if I don’t write it Monday day, I write it first thing Tuesday morning (25% of the time). As it happens, I am writing this post first thing Tuesday morning because by the time I finished everything else yesterday, I was too exhausted to write any more.
Over the years, I’ve developed the habit of doing a rough outline of my Going Paperless posts. I generally don’t outline blog posts, but I find that for clarity, the posts come out better when I outline them. I do this directly in WordPress, using the level 2 headings as the “topics” of my outline. These topics find their way into the post as the major “sections” of the post. The outline and the structure of the final post don’t always look identical, but they are usually pretty close. Here is what the outline looked like for this post when I started this morning. You can see for yourself the slight differences between what I outlined and what made it into the final post.
Outlining the post helps me identify gaps or leaps that I might make that could make the post confusing. The sections that evolve from the outline also serve another useful purpose when it comes to promoting the post, which I’ll get to in #9 below.
I sometimes get asked how I go about organizing the posts that I write. Rather than the tools that I used, I think what I’m being asked is how do I come up with (conceive) the actual logical organization. To this I can’t provide a good answer, I’m afraid. I’ve always had a knack for being able to “see” the organization in my head. Isaac Asimov once likened this to the way a musician can see the patterns in the music or a chess player can see the patterns in the game. I see the patterns in the organization, and it falls into place. Not always perfectly. Usually, I make some adjustments. But the general structure is there, it is not difficult for me, and, alas, I can’t describe what it is that happens inside my head to make it so.
3. Grabbing screen captures
My Going Paperless posts generally almost always contain screen captures to help illustrate the process I am describing. I use Skitch for all of my screen captures. It is by far my favorite tool for capturing screen shots, and annotating them, and I use it on my iMac (where I am writing this post), my MacBook Air, my Windows laptop, and my iPhone and iPad.
Skitch makes it easy to capture screenshots with simple keyboard shortcuts. There are some additional features that I use frequently within Skitch that I really like. Two of these are:
- Timed screen captures. Ever want to grab a screenshot of a pulldown menu, but when you do, the menu disappears. Skitch eliminates that problem thanks to its timed-screen capture feature. This works much the same way as a timed photograph. You select the part of the screen you want to capture. A timer starts and you can arrange the screen (including menus) however you like. When the timer reaches zero, it captures the screen as it looks at that moment. I wrote an earlier post on this awesome feature.
- Image blurring. Especially for something like the Going Paperless blog, where I am using my own Evernote repository to demonstrate the ways in which I go paperless, being able to occasionally blur out parts of the image (like addresses or account numbers) is useful. Skitch comes with a built-in “pixelater” tool that allows you to blur out text and other parts of the image.
Using Skitch to capture screen shots is also very fast. And since Skitch syncs with Evernote, I can capture screenshots on my iMac at home, and still have access to them if I am working on my Macbook later on in the day. No extra steps involved.
If you want to find out which author I can’t get enough of (and why I’ve accidentally stood that author up twice), have a listen.
It was a fun podcast, with lots of stuff going on in the background. For instance, while Patrick tried to bait John into jumping into the fray, Larry and I discussed the Churchill biography I’m about to finish up. None of that is in the podcast itself, however. That was all happening in the background as we all tried not to laugh. As always, it was a lot of fun.
It reminded me that it has been exactly one year since I finished the first draft of my first novel, sitting in a quiet corner of the Arlington Central Library. In the year since finishing the novel, I’ve written quite a bit, including fits and starts on the second draft. But those fits and starts haven’t really led anywhere, and the second draft has lingered in limbo ever since.
A few weeks ago, sitting at a local pub with Michael J. Sullivan1, Michael, as is his wont, pestered me about the second draft. I explained to him the trouble I was having with it. One good thing about having friends who are also professional writers of high caliber is that you can explain these things to them, and they understand. Michael offered some good suggestions on how I might get things started again. But I put it off.
Instead, I came up with a plan for the next several month. That plan was intended to help me juggle the fiction and nonfiction work I have underway. But a second motive, I think, was to convince myself that I could stall on the novel draft for a while longer. And then, this morning, I saw ThinkUp’s insight, and it triggered another insight: I’m stalling for no good reason. Michael’s advice will help me out where I was stuck. Now I just need to get started and get the job done.
So, thanks to the ThinkUp insight, I’m changing my plans. The nonfiction will continue as planned, but as far as fiction goes, everything is on the back-burner until I’ve completed the second draft of a the novel. The next obvious question is: when will it be completed?
Stephen King, in his book On Writing2, argues that a novel draft should not take longer than a season (3 months). I can see the value in this, but as someone who writes only part time, 3 months is probably unrealistic, especially when you consider it took me 6-1/2 months to write the first draft. Still, I have a lot of data from my writing, and I can use that data to make a good guess at an answer.
Over the last 564 days for which I have data, I have written, on average 867 words per day. In the last 3 months or so, I have also been writing nonfiction, but it has, so far, had only a negligible affect on my fiction output3 So I think it is safe to use 800 words/day as an initial level of effort.
The first draft of the novel came to about 95,000 words. On the second draft, I’m aiming for 90,000. At 800 words/day, it would take me 113 day, which is slightly longer than a season. If I started today, that would mean I’d finish the second draft on about January 5, 2015. But there is some nonfiction that I have to write during this time, and it is good to have a little buffer for technical problems I might run into. So let’s call it January 31, 2015. I plan to have the first draft of the novel finished by January 31, 2015. It may be done sooner, but I’m going to work hard to make sure it’s not finished any later.
For those interested in following along as I work through the second draft, the realtime stats of my writing are always available. I’ll see if there is some way that I can automate the charting of the specific stats for the novel draft separately.
Once again, I own some thanks to ThinkUp, which convinced me to stop putting over to tomorrow what I can do today. Now if you’ll excuse me, I have a novel draft to get started on.
But for some reason, the notion that Churchill spent time with Charlie Chaplin struck me, and I decided to do a little Six Degrees of Kevin Bacon with Churchill. I bent the rules a little. Instead of acting with someone, I considered a significant interaction good enough for my purposes. Indeed, Churchill spent time with Charlie Chaplin on several occasions. Going from there, I checked to see what Charlie Chaplin’s Bacon number was. I used the Oracle of Bacon website to find this out. Turns out, Chaplin’s Bacon number is 2:
So, by virtue of the fact that Churchill spent significant time with Chaplin (as oppose to acting in a movie with him–my own variation of the rules) his Bacon number would be 3. I find that fascinating for some reason.